Sabtu, 26 Maret 2011

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Lords of Finance: The Bankers Who Broke the World, by Liaquat Ahamed

It is commonly believed that the Great Depression that began in 1929 resulted from a confluence of events beyond any one person's or government's control. In fact, as Liaquat Ahamed reveals, it was the decisions made by a small number of central bankers that were the primary cause of the economic meltdown, the effects of which set the stage for World War II and reverberated for decades. In Lords of Finance, we meet the neurotic and enigmatic Montagu Norman of the Bank of England, the xenophobic and suspicious Émile Moreau of the Banque de France, the arrogant yet brilliant Hjalmar Schacht of the Reichsbank, and Benjamin Strong of the Federal Reserve Bank of New York, whose façade of energy and drive masked a deeply wounded and overburdened man. After the First World War, these central bankers attempted to reconstruct the world of international finance. Despite their differences, they were united by a common fear-that the greatest threat to capitalism was inflation-and by a common vision that the solution was to turn back the clock and return the world to the gold standard. For a brief period in the mid-1920s, they appeared to have succeeded. The world's currencies were stabilized, and capital began flowing freely across the globe. But beneath the veneer of boomtown prosperity, cracks started to appear in the financial system. The gold standard that all had believed would provide an umbrella of stability proved to be a straitjacket, and the world economy began that terrible downward spiral known as the Great Depression. As yet another period of economic turmoil makes headlines today, the Great Depression and the year 1929 remain the benchmark for true financial mayhem. Offering a new understanding of the global nature of financial crises, Lords of Finance is a potent reminder of the enormous impact that the decisions of central bankers can have, of their fallibility, and of the terrible human consequences that can result when they are wrong.

  • Sales Rank: #5274181 in Books
  • Published on: 2009-04-27
  • Formats: Audiobook, CD, Unabridged
  • Original language: English
  • Number of items: 15
  • Dimensions: 6.90" h x 1.80" w x 6.90" l, 1.01 pounds
  • Running time: 18 Hours
  • Binding: Audio CD

Amazon.com Review


Amazon Exclusive: Liaquat Ahamed on the Economic Climate

In December 1930, the great economist Maynard Keynes published an article in which he described the world as living in “the shadows of one of the greatest economic catastrophes in modern history.” The world was then 18 months into what would become the Great Depression. The stock market was down about 60%, profits had fallen in half and unemployed had climbed from 4% to about 10%.

If you take our present situation, 16 months into the current recession, we're about at the same place. The stock market is down 50 to 60 percent, profits are down 50 percent, unemployment is up from 4.5% to over 8%.

Over the next 18 months between January 1930 and July 1932 the bottom fell out of the world economy. It did so because the authorities applied the wrong medicine to what was a very sick economy. They let the banking system go under, they tried to cut the budget deficit by curbing government expenditure and raising taxes, they refused to assist the European banking system, and they even raised interest rates. It was no wonder the global economy crumbled.

Luckily with the benefit of those lessons, we now know what not to do. This time the authorities are applying the right medicine: they have cut interest rates to zero and are keeping them there, they have saved the banking system from collapse and they have introduced the largest stimulus package in history.

And yet I cannot help worrying that the world economy may yet spiral downwards. There are two areas in particular that keep me up at night.

The first is the U.S. banking system. Back in the fall, the authorities managed to prevent a financial meltdown. People are not pulling money out of banks anymore—in fact, they are putting money in. The problem is that as a consequence of past bad loans, the banking system has lost a good part of its capital. There is no way that the economy can recover unless the banking system is recapitalized. While there are many technical issues about the best way to do this, most experts agree that it will not be done without a massive injection of public money, possibly as much as $1 trillion from you and me, the taxpayer.

At the moment tax payers are so furious at the irresponsibility of the bankers who got us into this mess that they are in no mood to support yet more money to bail out banks. It is going to take an extraordinary act of political leadership to persuade the American public that unfortunately more money is necessary to solve this crisis.

The second area that keeps me up at night is Europe. During the real estate bubble years, the 13 countries of Eastern Europe that were once part of the Soviet empire had their own bubble. They now owe a gigantic $1.3 trillion dollars, much of which they won’t be able to pay. The burden will have to fall on the tax payers of Western Europe, especially Germany and France.

In the U.S. we at least have the national cohesion and the political machinery to get New Yorkers and Midwesterners to pay for the mistakes of Californian and Floridian homeowners or to bail out a bank based in North Carolina. There is no such mechanism in Europe. It is going to require political leadership of the highest order from the leaders of Germany and France to persuade their thrifty and prudent taxpayers to bail out foolhardy Austrian banks or Hungarian homeowners.

The Great Depression was largely caused by a failure of intellectual will—the men in charge simply did not understand how the economy worked. The risk this time round is that a failure of political will leads us into an economic cataclysm.

From Bookmarks Magazine
Almost all critics praised Lords of Finance for its command of economic history and engaging, lucid prose. Ahamed, noted the New York Times, illuminates wise parallels between the misplaced confidence that spawned the global depression in the 1930s and the illusory calculations of risk that led to the current financial crisis. His compelling biographies also personalize economic history. While critics disagreed about whether lay readers will, in a century's time, care about Norman, Moreau, and Schact, the only negative words came from the Wall Street Journal, which criticized Lords of Finance for an imprecise understanding of the gold standard: "Harrumphing about the ‘gold standard,' Mr. Ahamed reminds me of the fellow who condemned ‘painting' because he had no use for Andy Warhol."
Copyright 2009 Bookmarks Publishing LLC

Review
"Ahamed...easily connects the dots between the economic crises that rocked the world during the years his book covers and the fiscal emergencies that beset us today." ---The New York Times

Most helpful customer reviews

12 of 12 people found the following review helpful.
Worth the read!
By Jackie McCauley

8 of 8 people found the following review helpful.
Full of Useful Information But Conclusions are Arguable
By Erez Davidi
Lords of Finance is a financial history of the western world from after War World I through the roaring twenties and, later on, the Great Depression. It does so in a unique way by following the lives of the four most important central bankers (Germany, France, US, and Britain) at the time.

As the title suggests, the author puts most of the blame on the central bankers. He cites two main reasons that led to the Great Depression. The first is the reparations that Germany was forced to pay to the Allies after WWI that put an unbearable burden on Germany's economy. The second is the gold standard that prevented the central bank from increasing the money supply, which, according to the author, could have prevented the Great Depression.

I won't dive into the exact details, but I would like to point out that the author's conclusions are not very conclusive. He completely ignores economic policies implemented by Hoover in reaction to the unfolding crisis, which some economists argue prolonged the Depression. Monetary policy plays a vital role, but it's not the whole story. He puts most of the blame on the central banks, which failed to inflate the money supply enough. However, he also fails to mention that in 1920 the US economy suffered from double digit unemployment, and that the Dow had crashed by 47%. The Fed and Washington's response to that severe slowdown was to do nothing; surprisingly the economy recovered a year later.

Lords of Finance is a good book for its data and great writing, however, it's less valuable for its conclusions and analysis.

3 of 3 people found the following review helpful.
Not the caliber of a Pulitzer
By MDCRABGUY
Personally I believe this book won a Pulitzer due to it's timing rather than literary merit. It provides a survey of economic conditions following WWII through WWII reviewing economic conditions that led to the Great Depression. One of my issues is David Hoffman goes into great detail about personalities, way beyond what is needed. The first x chapters are dedicated to the four principle bankers/financiers providing their personal backgrounds and very minimal historical background. In addition, throughout the book he provides personalities for every indivdual that is introduced with way too comments about frivilous details. I found it distracting and took away from the flow. For example, he comments on dinner menus, at the Bretton Woods Conference he discusses how some guests excerised above Keynes room most likely disrupting his rest.

If I scored the epilogue I would Give Lords of Finance a one. David Hoffman injects values based on ecomics first presented by Keynes and applied post-WWII. The author invokes his 21st century value and knowledge of the world leaders, and injects the idea that Benjamin Stong of England would have taken a different course of action 1931 to possibly avoid the depression or at least lessen its impact. This is complete conjecture, particularly when when Hoffman finds these economic leaders, including Stong making mistakes at every step following. His analysis for the economic collapse is correct, but please do not inject current understands of ecomic forces as being available and understood by these individuals or their contemporaries. Keynes was the lone voice, but at the time his theories were new, untested, and considered radical.

On the positive side Lords of Finance provides a very good survey of the activities that led to the Great Depression following WWI. The book is written is not technical and are easy to follow. Keynes insight to present alternative economic approaches and counter balance the decisions and actions of the four world economic leaders. The storyline picks up with each chapter particularly after 1921. Several simple graphs are used to demonstrate the imbalances and economic weaknesses.

When reading a historical account I want to be brought into the period and have a sense of what individs were thinking and feeling. Lords of Finance did not capture the emotions of the period. Of course it discusses the hardships, but does not bring it to the personal level. Nor does he provide the emotional responses these four leaders were feeling. What the book presents is an accounting of the numerous missteps leading to the Great Depression following WWI. Hhhhh

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Kamis, 24 Maret 2011

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Electric Kiln Ceramics: A Guide to Clays, Glazes, and Electric Kilns, by Richard Zakin, Frederick Bartolovic

An Owners Manual for your studio! The electric kiln has helped to open the doors of the ceramic world to more and more people due to its convenience, ease of use, and economical benefits, and this new edition of Electric Kiln Ceramics is a must-read for anyone firing electric kilns. With the wealth of information on making work, decorating work, glazing work, and firing work, this book is not just a manual for the kiln itself, but for the whole studio as well. This fourth edition of Electric Kiln Ceramics, Richard Zakin s seminal work on understanding and using the electric kiln to its fullest potential, has been completely rewritten, reorganized, and expanded by Frederick Bartolovic. Hand picked by Zakin to carry the title forward, Bartolovic has added new sections with step-by-step instruction on forming and finishing pieces for electric firing, schedules for firing both manual and computerized kilns, and has lavishly illustrated the book with completely new images that highlight many of the most exciting results that are possible with electric firing. Electric Kiln Ceramics has become the path countless professionals and enthusiasts have followed to gain understanding and proficiency working with electric kilns in the ceramics studio. From Zakin embracing and promoting the electric kiln as a tool that yields exciting results to Bartolovic presenting it within the frame of contemporary practice, technology, and aesthetics, Electric Kiln Ceramics promises to continue inspiring and educating ceramic artists for generations to come. Three books in one! Electric Kiln Ceramics is separated into three chapters on Clay, Glaze, and The Electric Kiln, but the book covers each of these in such depth that each chapter could be a book on its own. Each chapter is logically organized, making searching for specific information easy.

  • Sales Rank: #103800 in Books
  • Published on: 2015-03-24
  • Original language: English
  • Dimensions: 10.50" h x 8.25" w x .75" l, 2.40 pounds
  • Binding: Perfect Paperback
  • 272 pages

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2 of 3 people found the following review helpful.
A must have for electric kiln users
By ladylovesgrits
great book and a must for anyone considering buying their own kiln.

0 of 1 people found the following review helpful.
Five Stars
By shervin haei
Lots of good information ...

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Five Stars
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Rabu, 23 Maret 2011

[U771.Ebook] Download PDF USMLE Step 1 Lecture Notes 2017: Pharmacology (USMLE Prep), by Kaplan Medical

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  • Sales Rank: #200976 in Books
  • Published on: 2017-01-03
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Minggu, 20 Maret 2011

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The Everyday Writer with Exercises with 2016 MLA Update, by Andrea A. Lunsford

THIS TITLE HAS BEEN UPDATED TO REFLECT THE 2016 MLA UPDATES! Our editorial team has updated this text based on content from The MLA Handbook, 8th Edition. Browse our catalog or contact your representative for a full listing of updated titles and packages, or to request a custom ISBN.Contexts for writing keep changing, and Andrea Lunsford knows that every writer needs to engage with audiences and communicate ideas every day. The Everyday Writer with Exercises shows novice writers how to navigate rhetorical situations and make effective choices everywhere they write. The illustrations, by Eisner Award nominee GB Tran, offer a high-interest approach to writing processes and encourage students to open and use their handbook. And Andrea’s friendly voice is always front and center, ready to answer any question. With new and expanded coverage of presentations and multimodal projects, integrated advice for writers from all language and educational backgrounds, and help learning the moves that make expert writers credible, The Everyday Writer with Exercises is the encouraging guide students need to take their writing to the next level.

  • Sales Rank: #809961 in Books
  • Published on: 2016-07-25
  • Original language: English
  • Dimensions: 8.33" h x 1.13" w x 6.38" l, .0 pounds
  • Binding: Paperback
  • 704 pages

About the Author
Andrea Lunsford, Louise Hewlett Nixon Professor of English emerita and former Director of the Program in Writing and Rhetoric at Stanford University, joined the Stanford faculty in 2000. Prior to this appointment, Lunsford was Distinguished Professor of English at The Ohio State University (1986-2000). She has also been Associate Professor and Director of Writing at the University of British Columbia (1977-86). Currently a member of the faculty of the Bread Loaf School of English, Professor Lunsford earned her B.A. and M.A. degrees from the University of Florida and completed her Ph.D. in English at The Ohio State University (1977).
Professor Lunsford's scholarly interests include contemporary rhetorical theory, women and the history of rhetoric, collaboration and collaborative writing, current cultures of writing, intellectual property and composing, style, and technologies of writing. She has written or coauthored many books, including Essays on Classical Rhetoric and Modern Discourse; Singular Texts/Plural Authors: Perspectives on Collaborative Writing; and Reclaiming Rhetorica: Women in the History of Rhetoric, as well as numerous chapters and articles. For Bedford/St. Martin’s, she is the author of The St. Martin's Handbook, The Everyday Writer, EasyWriter, and Writing in Action; the co-author (with John Ruszkiewicz) of Everything’s an Argument and (with John Ruszkiewicz and Keith Walters) of Everything’s an Argument with Readings; and the co-author (with Lisa Ede) of Writing Together: Collaboration in Theory and Practice.
Professor Lunsford has conducted workshops on writing and program reviews at dozens of North American universities, served as Chair of the Conference on College Composition and Communication, as Chair of the Modern Language Association Division on Writing, and as a member of the MLA Executive Council.

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0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
This is such a helpful book for English!!!

0 of 0 people found the following review helpful.
Five Stars
By Kallicomom
Came as described in a timely manor.

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Sabtu, 19 Maret 2011

[M290.Ebook] Download Just Like Floss by Kim Lewis (6-Mar-2000) Paperback, by Kim Lewis

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Just Like Floss by Kim Lewis (6-Mar-2000) Paperback, by Kim Lewis

  • Published on: 1600
  • Binding: Paperback

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Sabtu, 12 Maret 2011

[B205.Ebook] Free Ebook The Great Wall of Confinement: The Chinese Prison Camp through Contemporary Fiction and Reportage, by Philip F. Williams, Yenna Wu

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The Great Wall of Confinement: The Chinese Prison Camp through Contemporary Fiction and Reportage, by Philip F. Williams, Yenna Wu

China is the only major world power to have entered the twenty-first century with a thriving prison camp network—a frightening, mostly hidden realm known since 1951 as the laogai system. This book, the most comprehensive study of China's prison camps to date, draws from a wide range of primary sources, including many compelling literary documents, to illuminate life inside China's prison camps. Focusing mainly on the second half of the twentieth century, Philip F. Williams and Yenna Wu outline the evolution of the laogai system, construct a vivid picture of prisoners' lives from arrest and interrogation to release, and provide a troubling new perspective on the human rights issues plaguing China.

  • Sales Rank: #2833669 in Books
  • Published on: 2004-08-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .63" w x 6.00" l, .96 pounds
  • Binding: Paperback
  • 260 pages

Review
"The authors look at every facet of China's prison camp system, place it within China's historical tradition, and compare it with modern analogs. Throughout, literary and autobiographical sources give the 'feel' for the deadening world of the camps." - Perry Link, author of The Uses of Literature"

From the Inside Flap
"China is so big and so diverse that, as in the proverbial blind man touching an elephant, contemporary descriptions that vary dramatically can all be true. Few visitors to glittering Shanghai of Shenzhen, for example, will get any impression of the gaping gray maw of the government's prison camp system that Philip Williams and Yenna Wu, basing themselves on a vast range of Chinese sources, illuminate in erudite detail. The authors look at every facet of the camps, place them within China's historical tradition, and compare them with modern analogues. Throughout, literary and autobiographical sources give the 'feel' for the deadening world of the camps."—Perry Link, author of The Uses of Literature: Life in the Socialist Chinese Literary System

"The Great Wall of Confinement deals with issues ranging from the legal grounding—or the lack of any—of the Chinese concentration camp system, to its technical implementation, its discursive manifestation, and its physical as well as psychological impact. A book like this is long overdue. With this work, Williams and Wu have made an important contribution to the fields of Chinese legal and literary studies."—David Der-wei Wang, author of The Monster That Is History

"The Great Wall of Confinement is an excellent book. It synthesizes an already significant corpus of writings on Chinese prisons and labor camps, marshals an array of literary sources as essential historical source materials, and compares the literature of Chinese incarceration with its Soviet and European counterparts. The value of this important study stems equally from its tone—a rare combination of a level-headed quality with a very fine sensitivity to the human tragedy recounted in this literature."—Jean-Luc Domenach, author of Où va la Chine? (Where does China Go?)

"The Great Wall of Confinement has attempted to lift part of the veil on China's long lasting tragedy: the use of imprisonment, torture, forced labor against its citizens, whether criminals, feeble minded or simply political opponents. The angle is new; the question is to find out how Chinese have written on this subject, whether in fiction or reportage, the way they went about telling their stories, how much they said, or withheld. Through Philip Willams and Yenna Wu's thought-provoking analysis of such writings, of the cultural origins of forced labor and imprisonment in imperial and Communist China, one comes closer to this sinister reality, which remains to this day one of the best kept secrets of our planet."—Marie Holzman, President of the Association Solidarité Chine

From the Back Cover
"China is so big and so diverse that, as in the proverbial blind man touching an elephant, contemporary descriptions that vary dramatically can all be true. Few visitors to glittering Shanghai of Shenzhen, for example, will get any impression of the gaping gray maw of the government's prison camp system that Philip Williams and Yenna Wu, basing themselves on a vast range of Chinese sources, illuminate in erudite detail. The authors look at every facet of the camps, place them within China's historical tradition, and compare them with modern analogues. Throughout, literary and autobiographical sources give the 'feel' for the deadening world of the camps."--Perry Link, author of "The Uses of Literature: Life in the Socialist Chinese Literary System

""The Great Wall of Confinement deals with issues ranging from the legal grounding--or the lack of any--of the Chinese concentration camp system, to its technical implementation, its discursive manifestation, and its physical as well as psychological impact. A book like this is long overdue. With this work, Williams and Wu have made an important contribution to the fields of Chinese legal and literary studies."--David Der-wei Wang, author of "The Monster That Is History

""The Great Wall of Confinement is an excellent book. It synthesizes an already significant corpus of writings on Chinese prisons and labor camps, marshals an array of literary sources as essential historical source materials, and compares the literature of Chinese incarceration with its Soviet and European counterparts. The value of this important study stems equally from its tone--a rare combination of a level-headed quality with a very fine sensitivity to the humantragedy recounted in this literature."--Jean-Luc Domenach, author of "Oy va la Chine? ("Where does China Go?)

""The Great Wall of Confinement has attempted to lift part of the veil on China's long lasting tragedy: the use of imprisonment, torture, forced labor against its citizens, whether criminals, feeble minded or simply political opponents. The angle is new; the question is to find out how Chinese have written on this subject, whether in fiction or reportage, the way they went about telling their stories, how much they said, or withheld. Through Philip Willams and Yenna Wu's thought-provoking analysis of such writings, of the cultural origins of forced labor and imprisonment in imperial and Communist China, one comes closer to this sinister reality, which remains to this day one of the best kept secrets of our planet."--Marie Holzman, President of the Association Solidarite Chine

Most helpful customer reviews

3 of 3 people found the following review helpful.
Shockingly educative
By Gloria Tu
The language and content of the book makes for an educational yet engrossing read. The absurd and revealing facts concerning the Chinese prison labor camps are presented in a highly organized and easily understood, despite the complexity of the subject matter. Highly recommended to all readers.

3 of 3 people found the following review helpful.
eye-opening
By Cindy Chen
For me, this was the first book I read that revealed the harsh realities of a time in China's history. It was very informative, and I actually learned a lot from it.

2 of 2 people found the following review helpful.
informative
By Catherine P.
This book was informative. It served as a great supplemenatry tool because it reveals the truth.

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Rabu, 09 Maret 2011

[H857.Ebook] PDF Ebook Drawing on the Right Side of the Brain, by Betty Edwards

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Drawing on the Right Side of the Brain, by Betty Edwards

Revised edition of Betty Edwards' drawing instruction book, in large format with colour illustrations.

  • Sales Rank: #464743 in Books
  • Published on: 1979-05-01
  • Released on: 1979-05-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x .66" w x 9.18" l, .1 pounds
  • Binding: Paperback
  • 207 pages

Most helpful customer reviews

292 of 306 people found the following review helpful.
Unlocking your creative abilities.
By Inkhorn
I bought this book years ago, and it taught me how to dramatically improve my drawing skills.

I believe people who are blocked from drawing well will get the most from this book. More accomplished artists may benefit as well by understanding better how the process works.

It shows you how to look at things differently, and uses different techniques to enable you to bypass your left (logical) brain, and access your right brain, (your subconscious mind), hence the title.

Instead of using left brain- right brain theory to describe this, in my view the more correct description would be to learn to access your subconscious mind which functions at a deeper level, while reducing the way in which your conscious mind interferes with the creative process.

Your brain has four levels of consciousness, beta which is normal waking state, alpha which is a relaxed meditative state such as when you are about to go to sleep, theta which is a deeper state associated with creativity and light sleep, and delta which is deep sleep.

Normally, your brain shows shows some activity at all these levels. Artists and other creative people are able to access the creative mental state more easily.

Here is an example of how the process works.

If you try to draw a chair you may have a definite idea in your logical mind of how a chair should be, so when you draw you are thinking 4 legs, a seat and a back. You know all the legs are the same length, and therefore you may draw that way.

This can interfere with you doing a good drawing, because each leg from an artistic viewpoint is longer or shorter depending on the distance from your eye, so you have to learn how to use your vision to see it differently.

This can interfere with you doing a good drawing, because each leg from an artistic viewpoint is longer or shorter depending on the distance from your eye, so you have to learn how to use your imagination instead.

In this book there is a picture of something such as a chair or a person's face, and you may draw it as it is. You can also use a picture from a newspaper or magazine. This represents your current skill level.

Now, turn the picture upside down and draw the picture upside down. As you do this drawing, you may notice that you are producing a more accurate copy of the picture. This is because you are now using different skills. I was amazed at the results. This is so simple to do. Try it yourself and discover how easy it is.

There are other examples and illustrations to show you how to see pictures differently, and use space, light and shade, optical illusions and so forth.

As you become more experienced you will learn how to use your new skills automatically. I particularly enjoyed using pictures of movie stars, turning them upside down, copying them, and then doing it again right side up.

I have referred several people who would love to draw well to this book. If you are not as artistic as you would like to be, and were to follow the exercises in this book there is no reason your skill level should not improve dramatically. Naturally, the more you practice, the more you improve. If it worked for me, it can work for you. This is pretty easy.

Imagine drawing anything you want to draw completely accurately, and with incredible detail, subtlety and nuance just like a professional artist. This potential is just a few clicks away. If it worked for me, it can work for you, as my natural drawing was ability not good.

236 of 248 people found the following review helpful.
This 4th edition is a disappointment.
By Alyce Humphrey
The '89 edition is far superior to the 4th. In the 4th, the paper is thin enough to see through. Many of the drawing instructions are reproduced far too light and hard to see, much less to study. The chapter on color is GONE. Most of the interesting and informative margin notes are gone (though the space is still there), and the few that are there are in print so tiny it's not easy to read. In chapter 6, the student is advised to lift lights to create shadows, but this is not really taught until chapter 10 on lights and shadows. Why is this thrust on the student in chapter 6 when they haven't been taught it yet and may end up doing it in an incorrect way? And last, the index is incomplete, and I had to go through many pages in order to find things, since all the pages for a subject were not listed. The '89 edition is excellent.

93 of 97 people found the following review helpful.
Impossible to Read
By Grumpy Whiny Old Man
I ordered this book because I could not find my copy of the Revised Edition, a book that is worth reading and studying over and over. I thought so much of the book and its lessons that I decided to order the newest edition. The day before the new edition arrived I found my dog-eared, page-stained copy of Drawing on the Right Side of the Brain and revisited a couple of my favorite pages.

Today the newest edition arrived. It might be a masterpiece in it's genre, but I'll never know. The type face is so small I, literally, cannot read the side bars, and reading the body text is not much better. The amount of ink used for the impressions is minimal and adds to the difficulties. A book does no good if half of it cannot be read and the other half is difficult to read due to typeface or any other physical limits. A direct comparison of font size between the two books makes it very apparent it isn't just a grumpy whiny old man's grump of the day.

Publisher should be ashamed. If I can read the last edition with no problems I think I should be permitted to read the latest edition just as easily.

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Selasa, 08 Maret 2011

[G981.Ebook] Fee Download Mastering the Chess Openings: Unlocking the Mysteries of the Modern Chess Openings, Volume 1, by John Watson

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Mastering the Chess Openings: Unlocking the Mysteries of the Modern Chess Openings, Volume 1, by John Watson

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Mastering the Chess Openings: Unlocking the Mysteries of the Modern Chess Openings, Volume 1, by John Watson

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Mastering the Chess Openings: Unlocking the Mysteries of the Modern Chess Openings, Volume 1, by John Watson


For many chess-players, opening study is sheer hard work. It is difficult to know what is important and what is not, and when specific knowledge is vital, or when a more general understanding is sufficient. Tragically often, once the opening is over, a player won't know what plan to follow, or even understand why his pieces are on the squares on which they sit. John Watson seeks to help chess-players achieve a more holistic and insightful view of the openings. In his previous books on chess strategy, Secrets of Modern Chess Strategy and Chess Strategy in Action, he explained vital concepts that had previously been the domain only of top-class players. Moreover, he did so in ways that have enabled them to enter the general chess consciousness of club players. Here he does likewise for the openings, explaining how flexible thinking and notions such as 'rule-independence' can apply to the opening.

In this major four-volume work, Watson presents a wide-ranging view of the way in which top-class players really handle the opening, rather than an idealized and simplified model. This volume, focusing on king's pawn openings, is a book that will make chess-players think hard about how they begin their games, while offering both entertainment and challenging material for study in openings such as the Sicilian and Ruy Lopez.

  • Sales Rank: #421207 in Books
  • Brand: Brand: Gambit Publications
  • Published on: 2006-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 6.75" w x 1.00" l, 1.34 pounds
  • Binding: Paperback
  • 334 pages
Features
  • Used Book in Good Condition

About the Author

International Master John Watson is one of the world's most respected writers on chess. His groundbreaking four-volume work on the English firmly established his reputation in the 1980s, and he has produced a string of top-quality works since. In 1999, Secrets of Modern Chess Strategy, Watson's first book for Gambit, won the British Chess Federation Book of the Year Award and the United States Chess Federation Fred Cramer Award for Best Book. His former pupils include the 1997 World Junior Champion, Tal Shaked.

Most helpful customer reviews

2 of 7 people found the following review helpful.
Lot of information but you better have a board and a notepad
By Matt
I own vol 1 and vol 2 of this series. The notations are written in symbols and show the destination move only. In order to make it through any of the lessons (at least for me) a board with coordinates and graph paper (I use Excel) to break out all the information are necessary. Buy this book if you are willing to make that commitment but if not look elsewhere.

0 of 6 people found the following review helpful.
Very good chess openings book
By Freddy Bullain V
This is a must have book along with volume 2. It begins with fundamentals and goes into details carefully. Notation is clear and it is easy to read.

8 of 8 people found the following review helpful.
Something for everyone
By Gambits
Watson has done another fantastic job with this addition to the chess world. I am rated 2100 and my son is 1400 yet I found there was much to be learned for both of us. I found the chapter on structure significance to be most enlightening. Of course anything in this book will be helpful for class B players and below, but there is enough breadth of information to allow even A players and above to gain more knowledge as well. I would have liked to have seen a chapter on the Scandanavian, but the explanations of similar structures with regards to other openings somewhat covers this. Watson does not skimp on providing the reader with basic ideas and plans, an important part of any book with regards to openings. Watson makes no claim as to knowing all the opening variations and their subsequent evaluations. He equips the reader with a basic and general understanding of the main plans and structures, and advises the reader to pick up "specialized" opening books for those openings that you are drawn to. 4 stars for leaving out a couple of basic e4 responses, otherwise its a perfect piece of literature...well thought out and well written.

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Senin, 07 Maret 2011

[H806.Ebook] Download PDF Essentials of Technical Mathematics with Calculus (2nd Edition) 2nd edition

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Essentials of Technical Mathematics with Calculus (2nd Edition) 2nd edition

  • Published on: 1600
  • Binding: Paperback

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