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In the jungles of South America, on the ice fields of Alaska, the plains of the Midwest, and the streets of San Francisco, a fearsome battle rages. The insects are vying for world domination; the inventors of electricity stand in evil opposition. Bug , a young man, rebels against his own kind and joins forces with the insects. Wayne, a thug, allies himself with the malevolent forces of electricity and vows to assassinate the preying mantis who tends bar in Oregon. A brusque La Pasionara with the sprightly name of Millie leads an intrepid band of revolutionaries.
You Bright and Risen Angels is the work of an extraordinary imagination. In this free-wheeling novel of epic proportions, William T. Vollmann has crafted a biting, hilarious satire of history, technology, politics, and misguided love.
- Sales Rank: #525047 in Books
- Brand: Vollmann, William T.
- Published on: 1988-12-01
- Released on: 1988-12-01
- Original language: English
- Number of items: 1
- Dimensions: 7.70" h x 1.30" w x 5.00" l,
- Binding: Paperback
- 656 pages
From Publishers Weekly
"The story is an epic brew of technology, magic, politics, history and entomology, by turns fiercely satiric and good-naturedly humorous," maintained PW of this "ferociously talented first novel," about (among other things) a pitiless war between insects and the inventors of electricity. Illustrated by the author.
Copyright 1988 Reed Business Information, Inc.
From Library Journal
In this surrealistic allegory, America is populated exclusively by revolutionaries and reactionaries. The reactionaries are led by the mysterious Society of Daniel, a group of electrical engineers who worship the sacred Book of Generators. The revolutionaries, humanoid insects who pledge allegiance to the Great Beetle, are united by a common experience of torture at the hands of crewcut bullies. Vollmann calls the book a cartoon, and although he clearly sympathizes with the radicals, they are, after all, only bugs. In addition to an undigested mass of information about power plants, entomology, and hand guns, there is a lot of good writing herebut not nearly enough to fill 600 pages. With better editing this might have been outstanding. As it stands, it is a fascinating flop, but one that readers interested in experimental fiction will want to take a look at. Edward B. St. John, Loyola Marymount Univ. Lib., Los Angeles
Copyright 1987 Reed Business Information, Inc.
About the Author
William T. Vollmann is the author of eight novels, three collections of stories, a memoir, and Rising Up and Rising Down, which was a finalist for the National Book Critics Circle Award in nonfiction. Vollman's writing has been published in The New Yorker, Harper's, The Paris Review, Esquire, Conjunctions, Granta, and many other magazines. He lives in California.
Most helpful customer reviews
45 of 48 people found the following review helpful.
Come into the cartoon
By A Customer
In the way the best caricatures can tell you the truth in corrective-lens fashion--to distort the view against your own distortion so you see it plain--Vollmann's first book--which he calls not a Novel but a Cartoon--caricatures the outlandish oppression & cruelty of the human being: especially the human male, especially the American. Seeing where Vollmann's career has taken him--on a nightmarish reporter's journey through the 3rd World, into the ragged world of the San Francisco Tenderloin, deep into an ambitious 7-novel project recounting the history of the New World--it's no surprise to see his concerns with power & preterition set up here in his first work. A tale of America's dream of the bullying, Protean, endlessly inventive, heartless power of money, this Cartoon pits the authoritarian powers against the scrappy underdogs: Electricity(Power) vs. Bugs(the little guys). If this reminds you of Thomas Pynchon's fabulist (& fabulous) Gravity's Rainbow, there's good reason. Vollmann's the next ecstatic drop running up that literary vein. Along with all this, there's the metafictional struggle to tell the story throughout, as 2 narrators (at least 2) wrestle over the helm: 1) a lowly employee with subversive tendencies & sentimentalities whose affection for the characters & obsessions about his ex-girlfriend sneak into the telling, and 2) the being who gives him dictation, the shapeshifting, immortal, amoral Big George, whose exaggerated accounts of his own adventures are a pastiche of every Big Fish tale ever spun in America's history, but who nevertheless is in the service of the kind of truth that only comes with the heartlessness of the fact that everybody (else) dies. Lodged, of course, in the best sort of eyebrow-raising fiction. I, the reviewer, am trying to tell you that I liked this book, and that I am a picky reader. But I, the writer, keep getting mixed up as to how to get you to buy it. For the sake of postpostmodern literature--for the sake of the longevity of the love of literature--read this insane, awkward, gorgeous thing.
17 of 18 people found the following review helpful.
It's worth the effort
By A Customer
The first 50 pages took me almost three hours to read. I was worried I made a big mistake in reading this book. And then Vollmann's world captures you. By the end my opinion had changed: this is the best book I've read.
9 of 11 people found the following review helpful.
Relax into it, don't fight it, and it is quite a ride
By Steven P. Savage
I've been a Vollmann fan for years, but his first novel had always given me fits. I have what I refer to as the 'permanently unfinishable' shelf (4 attempts to read over the course of a couple of years), and I was on the last attempt for this novel. Finally finishing Coover's The Public Burning definately helped me relax into the quasi-cartoony world that YBARA offers. If you like the parody and allegory of this novel, then I think you would also like The Public Burning.
It is overwhelming in its scope and pathos. It takes on history and politics and love--all the bad forms of it anyway--with a very dark sense of humor and with a lush (sometimes too lush) use of language. It is a fantastic adventure that requires a total suspension of disbelief, and that is where I think I failed early on. The novel is part science (or at least computer) fiction; what I mean specifically is that the world he creates has its own scope and honesty though it takes place 'here.' If something, like a praying mantis bartender that no one really seems to mind except Wayne, really doesn't make sense, just mark it in your head and move on. In the end, it will either make sense or drop off like the molting shell of certain beetles.
I did have 2 problems with the novel. The first is the language. Faulkner, Cormac McCarthy, DF Wallace and Vollmann are heroes of sorts for me because they don't fear complex language if using it makes the story more enjoyable. YBARA commits the first novel sin of going just a little too far in that arena. But it is an astounding first novel regardless.
The second problem is one that I also have with Wallace's Infinite Jest. It seems to assume that there will be a second part. YBARA refers to dozens of events that will eventually occur, but then it stops far short of getting to those events. I understand that this is a mode of storytelling (not unlike the epics and eddas that Vollmann takes up after his first novel), but the structures of the two are different. YBARA didn't read like those epics, it read more like a serial. This is both somewhat exciting and somewhat daunting. I mean . . . What if he does write a sequel?
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