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Mastering Audio: The Art and the Science, by Bob Katz
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In an easy-to-grasp, holistic manner Mastering Audio: The Art and the Science, Third Edition unravels the technical mysteries that regularly challenge audio engineers. Including practical tips and real world experiences, Bob Katz explains the technical detail of the subject in his informative and humorous style. Completely reorganized to focus on workflow, this third edition details mastering by providing a step-by-step approach to the process. First covering practical techniques and basic theory, this industry classic also addresses advanced theory and practice. The book’s new approach is especially suitable to accompany a one- or two-term course in audio and mastering.
Completely rewritten and organized to address changes that will continue to influence the audio world, this third edition includes several new chapters addressing the influence of loudness measurement and assessment and provides explanation of how mastering engineers must integrate loudness measurement and PLR assessment in their mastering techniques.
Mastering Audio: The Art and the Science, Third Edition also includes the newest approaches to equalization, monitor response measurement and correction, the psychoacoustics of clipping, an extended discussion of restoration and noise reduction techniques, an extended set of listening examples, and an updated chapter on surround mastering including coverage of Pure Audio BluRay.
- Sales Rank: #98840 in Books
- Brand: Katz, Bob
- Published on: 2014-09-25
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 10.00" w x 1.00" l, .0 pounds
- Binding: Paperback
- 408 pages
Review
"Within the pages of the outstanding third edition of his book Mastering Audio: Tile Art and the Science, Katz not only demystifies the subject of mastering in a logical, well-organized way, but he has created a resource that will be equally of interest to pros and beginners … [The book] examines topics that are important in every stage of the recording process, such as properly dealing with dynamics and monitoring, or understanding dither and jitter. Katz also delves into mixing and effects processing from the standpoint of the mastering engineer and the types of problems he or she typically encounters. Consequently, Mastering Audio should be mandatory reading for anyone making music in a personal studio."
-Gino Robair, emusician.com
"An important reference book needed during these times of fast-changing audio resolution standards and delivery methods, Katz offers an easy-to understand approach to the many technical conundrums and mysteries that challenge even the seasoned professional audio engineer."
- Barry Rudolph, Music Connection
Praise for the previous edition:
"The definitive work on mastering...an indispensable resource for anyone working with audio. If you only buy one book on audio, this has to be it - it should be required reading for anyone involved with recording, producing or mastering music."
-Sound on Sound magazine
"After reading it, you will likely consider this book to be required reading for all audio professionals, regardless of technical background, who are interested in creating better sounding audio. I know that I do." - Jim Kaiser, Journal of the AES, March 2008
"I just received my book in the mail. Bob, you did a great job with the 2nd edition. This version does not read as clinical as the first edition making it an easier read. I really like the layout and updated info you put in the book."
- Glenn Bucci, Revelation Sound Studio
"Aimed at intermediate to advanced users, what sets this book apart is the liberal inclusion of practical tips, and the author's ability to be authoritative without being didactic. Even if you already do mastering, this book will help you do it better."
- Craig Anderton (editor of EQ magazine)
"I have no reservations when I recommend that every engineer working with audio purchase a copy of Mastering Audio."
- Tape Op Magazine, March/April 2008
"If you want to know what goes on behind the scenes in recording the music you enjoy; and learn more about digital audio, this comprehensive, insightful, and accessible book is without peer."
-Absolute Sound (Oct. 2007)
From the Back Cover
Become a master of audio.This bestselling book has shown thousands of mixing and mastering engineers, musicians, A&R producers how to create great sound. It fully integrates technical with artistic and is idea for students and working professional/ Mastering Audio is you complete reference: don't leave the studio without it!
What is mastering? Mastering it the last creative step when producing a record album or single for disc, home music server, iPod, broadcast or internet delivery. Mastering Audio unravels the technical mysteries that challenge audio engineers daily-in an easy to grasp, holistic manner. Learn new and powerful artictic techniques for sterio and surround sound.
To master audio you must become the master of audio
About the Author
Bob Katz played the B flat clarinet from the age of 10, and his lifelong love of sound and music led him to become a professional recording, mixing and mastering engineer, beginning in 1971. Receiving many nominations, three of Bob’s recordings have garnered the prestigious Grammy™ award, and his work has been praised in publications such as Stereo Review, Audio, and Stereophile. Bob has written numerous articles and reviews for audio and computer publications as well as the digido.com website. Katz’s processors and support gear, including patented inventions K-Stereo and K-Surround, are in use at mastering studios worldwide and fill a missing link in mastering and post-production. Bob’s entertaining seminars and workshops around the world grew from his unique ability to simplify complex topics. He runs Digital Domain Studios north of Orlando, Florida, mastering all styles of music for major and independent labels.
Most helpful customer reviews
11 of 13 people found the following review helpful.
Audiophiles Should Read This Book!
By Survivor
Ok. The author is a "somebody" in the world of high-end audio. I recognized his name from articles appearing in Stereophile magazine, most recently in the January 2015 issue. He knows more about the recording process than most anyone. He communicates his ideas very well, but, most importantly, he address the most relevant subjects and issues.
This is a great book for an audiophile to read because it examines the details of source origination -- the recording process -- and relates it directly to the playback process. The chapters on mastering are must reading, especially the discussion of loudness, monitor quality, and monitor setup. Oh, and don't forget the chapter on jitter. This term is thrown around in audio equipment analysis as if everyone knows what it is. The discussion is so confusing elsewhere, one might be thinking it has something to do with insects dancing inside a USB cable (jitterbugs). Read what Katz has to say. Very informative.
I loved the book, and will keep it as a reference. Too bad it didn't come with a hard cover, or a better cover. The cover paper is really cheap quality, but I won't subtract a star for that.
4 of 4 people found the following review helpful.
The best book on mastering just got better, again.
By James M. Hewitt
What can I say, this is the 3rd time I have purchased this book and it just keeps getting better and more up to date. Bob is the guru of audio mastering without a doubt, and his technical information is well worth reading for all stripes of audio engineers, not just those with designs on mastering. There are tidbits throughout, so you don't have to read it cover to cover, just open a section and get up to speed quickly.
6 of 7 people found the following review helpful.
Katz knows his stuff... all producers and ...
By resimatic
Katz knows his stuff...all producers and would be mixers out there in DIY or home studios should have this...especially you hip hop dudes...learn about sound and proper mixing so your tracks sound tight, before you pile on the processing in FL or PT...
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