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A writer may have a story to tell, a sense of plot, and strong characters, but for all of these to come together some key questions must be answered. What form should the narrator take? An omniscient, invisible force, or one--or more--of the characters? But in what voice, and from what vantage point? How to decide? Avoiding prescriptive instructions or arbitrary rules, Christopher Castellani brilliantly examines the various ways writers have solved the crucial point-of-view problem. By unpacking the narrative strategies at play in the work of writers as different as E. M. Forster, Grace Paley, and Tayeb Salih, among many others, he illustrates how the author's careful manipulation of distance between narrator and character drives the story. An insightful work by an award-winning novelist and the artistic director of GrubStreet, The Art of Perspective is a fascinating discussion on a subject of perpetual interest to any writer.
- Sales Rank: #58520 in Books
- Published on: 2016-01-05
- Released on: 2016-01-05
- Original language: English
- Number of items: 1
- Dimensions: 7.08" h x .47" w x 5.01" l, .30 pounds
- Binding: Paperback
- 160 pages
Review
"A close look at writers' crucial choices. The latest contributor to The Art of series, novelist and Guggenheim Fellow Castellani offers an attentive reading of works by E.M. Forster, Lorrie Moore, Zoe Heller, Grace Paley, and Tayeb Salih, among others, to illuminate "the how and why" of narration...A modest, gracefully written meditation on creativity and craft." -- Kirkus Reviews
"This is not a book of prescriptions for writers, but more a study of principles through examples. Castellani describes his way of deciding on the right perspective for one of his story ideas, and examines various strategies in the works of others... Castellani thinks and writes with great perception and clarity. Anyone with an interest in how good stories are constructed will findthis book both enjoyable and useful...A perceptive and thorough consideration ofthe role of perspective in storytelling." -- Shelf Awareness (Starred Review)
"Castellani's lucid exploration into the mechanics ofnarrative means The Art of Perspective is a pleasure to read foranyone curious why the stories we love move us the way they do; why so often itis not the sequence of events or some happening of the plot that compels us toturn the page, but a voice--be it forthright or deceptive--at the heart of thestory...While the series may be of most interest to writers, Castellanidiscusses fiction in such an accessible and engaging manner that the bookshould prove compelling to anyone who is curious about why some of theirfavorite novels work the way they do." -Zyzzyva
"A master class -- in 140 pages -- on how various narrative strategies make novels tick." - The Boston Globe
"A little gem of a book filled with wit and wisdom." - Catherine Ramsdell, Popmatters
Remarkably perceptive and gracefully written. . . . Anyone with an interest in how good stories are constructed will find this book both enjoyable and useful. "Shelf Awareness," starred review
Great for diving deeply into a single aspect of writing that can be applied to any number of goals, including fiction and non-fiction writing. . . . A handy reference guide. "Brooklyn Rail"
Reading this little book was a pleasure . . . funny, full of stories, and [Castellani s] insights are profound. Caroline Leavittville
"The Art of Perspective" is a wonderful book, full of good advice and smart close reading. Peter Turchi"
About the Author
Christopher Castellani is the author of three novels, including All This Talk of Love. He is the artistic director of GrubStreet and teaches in the MFA program at Warren Wilson College. He was recently awarded a Guggenheim Fellowship for fiction.
Most helpful customer reviews
2 of 2 people found the following review helpful.
you’re left feeling that you’re a better writer, reader
By Chuck Selvaggio
“The Art of Perspective” by Christopher Castellani. “The Art of…..” series is a collection of books edited by Charles Baxter. Each focuses on one aspect of literature and “The Art of Perspective” is devoted to the importance of who is telling the story and what implications and consequences ride on this choice for the writer, the reader, and the characters themselves. You’d have an idea of how enjoyable these essays are if you can recall being in a class and having the walls of the classroom disappear. Initially, you attended for a less-than-exciting reason, but soon you were hoping the class wouldn’t end. Chris’s own perspective on his art is shot through with a humility and a strength that confidently take the reader to knowledge in a way that’s … well…fun. And before you know it, you’re left feeling that you’re a better writer, reader, or (God help us) critic because you’re more aware and appreciative of much you’ve once taken for granted. Like his fiction, the essays in this little book sparkle and are propelled by whatever it is (because ultimately, who can really describe these things?) that moves a big talent. Just wonderful!
2 of 2 people found the following review helpful.
Goes beyond basic, obvious tips.
By Kim Quilter
So, if you're a writer and you're tired of books that just define things in an over-simplified and unhelpful manner, then you've been waiting for this book. In essence, it assumes that you know what point of view is...but it deepens the explanation of why the narrator's perspective makes a difference in the work that you're writing. The logic is very clearly explained in terms of what each point of view method achieves in a story.
I think this is a nice step up from books that seem to cover writing techniques in basically the same way. Castellani's explanations go deeper into the close relationship between a story and who's telling the story. And if you really take your time with this book and think thoughtfully over its examples, it should illuminate your own best approach to telling your story.
2 of 2 people found the following review helpful.
A touchstone text for breaking away from accepting stereotype and cultural myopia in one's reading and writing.
By Rolf Yngve
Castellani provides much more than an excellent dissection of craft in this splendidly wrought discussion. He brings a wealth of experience as a teacher and conscientious artist to the questions of identity and stereotyping that challenge the twenty-first century artist/author. Castellani's work is a splendid optic for seeing the uniqueness and beauty of the multicultural and multigendered perspectives blooming in the arts today.
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